Musée Les Sources d’Hercule (Deneuvre, France)

Logo_RVB_PhotoshopA unique Gallo-Roman sanctuary of Hercules was discovered by chance in 1974 in a field on the outskirts of the city of Deneuvre (Meurthe-et-Moselle in eastern France) when a local farmer looked for a source of water for his flock. He called on a local dowser, Gilbert Hellé, who advised him on where to start digging. They soon realised that there was more than just a spring under the earth when a Roman column came to light.

This rare spring sanctuary, which has no equivalent in Roman Gaul, is organised around two sources dedicated to Hercules. Indeed, traces of hundred of carved representations of Hercules were unearthed in Deneuvre, making it the largest concentration of such representations in the Roman West. After twelve years of extensive excavations led by Gérard Moitrieux, a dedicated museum was built in the centre of the city. It was designed around a scale re-creation (400m²) of the sanctuary as it was in the middle of the 4th century AD. The museum officially opened its doors in 1996.

The spring sanctuary was established in 150 AD. At this time the sanctuary consisted of only a few wooden basins installed to capture the water sources with a network of pipes. Quickly the sanctuary grew in wealth and at the end of the 2nd century the wood basins were gradually made of stone. It is also at this time that roofs were raised above the basins and that the first stelae carved in the effigy of Hercules were erected. The end of the 2nd century saw the sanctuary reach its heyday after which came alternating periods of almost total abandonment and rebirth. The sanctuary was destroyed around 375 AD, probably by the first Christian community in Deneuvre. The sources were blocked, the statues were destroyed and sometimes mutilated (severed heads, hammered faces).

The re-creation of the sanctuary of Hercules. A path line with Hercules reliefs, presumably paid for by the hopeful pilgrims seeking his support, approached the pools.

At Deneuvre, Hercules is mainly depicted in three different attitudes. Hercules at rest, leaning on his club. Hercules the fighter, brandishing his club behind his head in a threatening way. Finally, Hercules walking, the rarest attitude of the three, with the club on his shoulder. All the statues found in the sanctuary are made of the same stone, the Voltzia Sandstone, a stone quarried locally. They were carved between the end of the reigns of Antoninus Pius (138-160 AD) and Valentinian I (364-375 AD).

Four
Four stelae and one altar dedicated to Hercules. Two stelae show Hercules fighting while two others show Hercules at rest.

The springs were channeled using wooden pipes and organized into three pools; two of these were protected with roofs, each supported by four columns.

pools; two of these were protected with roofs, each supported by four columns
One of the water basins which was protected with a wooden roof supported by four columns.
Stone water basin protected with a wooden roof supported by four columns.
Stone water basin protected with a wooden roof supported by four columns.
The second stone water basin protected with a wooden roof.
The second stone water basin protected with a wooden roof.
3D reconstruction of the sanctuary of Hercules by Damien Vurpillot (Digital archaeology and cultural heritage specialist).
3D reconstruction of the sanctuary of Hercules by Damien Vurpillot (Digital archaeology and cultural heritage specialist).

At Deneuvre, pilgrims were making vows to Hercules. People came seeking a healing cure for their illnesses, success in trade, a good war booty or a good harvest. They came from all over the region and beyond, as far as from the Limes along the Rhine. Archaeological finds show that pilgrims cleansed and purified themselves using pottery bowls before making an offering. 

The re-creation of the sanctuary of Hercules.
The re-creation of the sanctuary of Hercules.
Hercules at rest with Celtic characteristics.
Hercules at rest with Celtic characteristics.

The offerings were not necessarily significant, some coins or a little food could do the trick. They were placed on the altars. Then the pilgrim waited patiently for the vow to be fulfilled. If the wish of the pilgrim was granted, a second gift was offered to the God in gratitude. These gifts could take many forms depending on the wealth of the pilgrim. The richest gave a stone statue, a stela or an altar on which a dedicatory inscription was engraved to give thanks for the request fulfilled. The poorest gave smaller ex-voto like stones or pieces of tiles on which they expressed their thanks. Pilgrims also left offerings of food, white clay figurines, money and jewellery. Votive offerings are attested by the phrase Votum Solvit Libens Merito (“He willingly and deservedly fulfilled his vow”),commonly abbreviated to VSLM, which was found on some of the altar’s inscriptions.

Top of stela with dedicatory inscription. DEO HERCVLI/SILVESTER/SATVRNINI/ V(otum) S(olvit) L(ibens) M(erito). To the god Hercules; Silverster, (son of) Saturninus,
Top of stela with dedicatory inscription.
DEO HERCVLI/SILVESTER/SATVRNINI/ V(otum) S(olvit) L(ibens) M(erito).
To the god Hercules; Silvester, (son of) Saturninus, willingly and deservedly fulfilled his vow.

The springs of Deneuvre were thought to be sacred and pilgrims purified their bodies with water (however recent chemical analysis have shown that the water had no special mineral properties and was unsafe for human consumption due to its high level of acidity). The water was also used as libation, by pouring out water into the fire on the altar.

The re-creation of the sanctuary of Hercules.
The re-creation of the sanctuary of Hercules.

The village of Deneuvre is rich in archaeological remains and the site of the sanctuary has not yet been fully excavated. Archaeologists are hoping to find a temple dedicated to Jupiter, other religious sanctuaries as well as pottery workshops.

Information

Musée Les Sources d’Hercule
1 Place Jean Marie Keyser
54120 Deneuvre
France

Official website: http://www.museehercule.com/

Opening hours

Closed from 1 November to 28 February.
From 1 May to 30 September: daily from 10 am to 12 am and 2 pm to 6 pm.
From 1 March to 30 April and from 1 to 31 October: weekends, public holidays and school holidays from 2 pm to 5 pm.

Prices

Adult: 3.50 € (2.10 € reduced price)
Groups: all year by appointment (1.50 € for school groups).

Hattusa

Hattusa, the capital city of the Hittites in the late Bronze Age, is located in the Boğazkale District of the Çorum Province, 150 kilometres east of Ankara. It was the head of an empire that stretched across the broad lands of Anatolia and northern Syria, from the Aegean in the west to the Euphrates in the east. The ruins of the city walls, gates, temples, and palaces, awaiting visitors today, provide a comprehensive picture of the Hittite capital in the 13th century BC.

Coordinates: 40° 1′ 11″ N, 34° 36′ 55″ E

Hattusa

The earliest traces of settlement on the site are from the 6th millennium BC. During the 19th and 18th centuries BC, the Hattians and the Assyrian Trade Colonies settled in the area. Hattusa, then known as Huttush, was one of the Karu (trading posts) established by the merchant colonies of Assyria. Hattush came to an end around 1720 BC when Anitta, King of Kussara (of the dynasty that would form the Old Hittite Kingdom), sacked the city. A generation later, another king of Kussara decided to make the city his capital. A new town was planned and built on the ruins of the old one, and the Hittite language was introduced to the region. Hattush became the Hittite city of Hattusa, and the King took the name of Hattusili I, the “one from Hattusa”. Over the next few hundred years, Hattusa remained the capital of the Hittite empire.

At its peak, the population of Hattusa is estimated at 40,000-50,000 inhabitants. The city was large, covering 1.8 km² with massive defensive walls over 6km long and huge watchtowers and secret tunnels.

Illustration by Rocío Espín Piñar.
https://www.artstation.com/rocioespin

The site was discovered on July 28 1834, by Charles Texier, but the first systematic excavations in Hattusa began in 1893-1894 under the guidance of Ernest Chantre, who published the first cuneiform tablets from Hattusa. Since 1907, the German Archaeological Institute has carried out archaeological work. The city consisted of two separate districts: the Lower City, the Hittite Old City, where the main Temple was located, and the Upper City, a newer part of the city with a fortified palace complex surrounded by massive walls. The site also boasts a number of hieroglyphic inscriptions bearing traces of the so-called “Luwian” script.

The city was destroyed, together with the Hittite state itself, around 1200 BC as part of the collapse of the Late Bronze Age kingdoms. Excavations at the site determined that Hattusa was invaded and burned early in the 12th century BC after many of Hattusa’s residents had abandoned the city. The site was subsequently abandoned until 800 BC, when a modest Phrygian settlement appeared in the area. Today, the whole tour of the ancient city can be completed along the concrete path, which is 3-4 kilometres long, on foot or by car.

PORTFOLIO

The Lower City

Modern reconstruction of a 65m long section of the city wall made of mud brick.
Modern reconstruction of a 65m long section of the city wall made of mud brick with defence towers built at 20-25 metres intervals. The reconstructed part rests on top of the original Hittite foundations. The inner city wall shielded the area of the Great Temple and adjacent settlements.
Terracotta tower-shaped vessel fragment used as cult vessel, tower-shaped vessels reflect the model Hittite city walls, found during excavations in Hattua, 14th century BC, Museum of Anatolian Civilizations, Ankara
Terracotta tower-shaped vessel fragment used as a cult vessel. Tower-shaped vessels were used as the model for reconstructing the Hittite city walls.
Museum of Anatolian Civilizations, Ankara
Residential quarters from the period of the Assyrian Trade Colonies (19-18th centuries BC) including ruins of houses and offices of Assyrian merchants.
Residential quarters from the Assyrian Trade Colonies (19-18th centuries BC) included ruins of houses and offices of Assyrian merchants.
The gateway to the Temple complex.
The gateway to the Temple complex. The complex comprises a massive precinct of some 14,000 square metres, with the Temple itself measuring 42×65 metres. The Temple may have been built by or on the order of the Great King Hattusili III, who ruled during the mid-13th century BC.
The paved Street of the Temple surrounding the central temple building.
The paved Street of the Temple surrounding the central temple building.
The Great Temple’s main entrance was through a massive gate with three doors, sills, and small cubicles on either side. The Temple was built for the Hattian God of the Sky and the Sun Goddess Arinna. It was the largest Temple in the city.
Reconstructive drawing of the Great Temple surrounded by approximately 200 storerooms. Red: the temple proper Yellow: the storage rooms Green: the southern district with the"House of Operations"
Reconstruction of the three main parts of the Great Temple complex:
red: The Temple proper
yellow: the storage rooms
green: the southern district with the “House of Operations”
The area of the Great Temple with storerooms surrounding the temple proper.
The area of the Great Temple has storerooms surrounding the Temple proper.
Storerooms along the northwest side of the Great Temple, some two-storey high. They housed equipment and offerings of cult practices, foodstuffs and archives of clay tablets inscribed in cuneiform. Massive clay vessels up to 2,000 litres in volume stored wine, oil and grain.
Large monolithic thresholds marking the position of doorways between the storage rooms.
Large monolithic thresholds marking the position of doorways between the storage rooms.
The green stone lying in one of the storerooms of the Temple complex, it is a block of green nephrite-type stone common in the geology of the region. It may have played a role in some religious cult.
The green stone lying in one of the storerooms of the Temple complex. It is a block of green nephrite-type stone common in the region’s geology. It may have played a role in some religious cults.
The Lion Basin which was originally 5.5m long, it once feature crouching lions at all four corners, it probably had a role in cult rituals.
The Lion Basin, originally 5.5m long, once featured crouching lions at all four corners. It probably had a role in cult rituals.

The Upper City

The asphalt road leading to the Upper City of Hattusa.
The asphalt road leading to the Upper City of Hattusa.
The Lion Gate flanked by two towers, located at the southwest of the city, the lions were put at the entrance of the city to ward off evil
The Lion Gate is one of the two grand entrances of the Upper City. It was flanked by two rectangular towers and had an inner and an outer doorway, both parabola-shaped and once furnished with pairs of wooden doors.
Detail of the sculpted lion to the right of the gate. Lions were popular figures of protection and ornament at doorways throughout the Near East. Lions were put at the entrance of the city to ward off evil.
Detail of the sculpted lion to the right of the gate showing the mastery of the carving. Lions were popular figures of protection and ornament at doorways throughout the Near East. Lions were put at the entrance of the city to ward off evil.
The Lion Gate was built in polygonal masonry employing massive limestone blocks.
The Lion Gate was built in polygonal masonry employing massive limestone blocks.
The Yerkapi Rampart It was 80 metres wide,15 metres high and 250 metres long.
The Yerkapi Rampart was an artificial rampart, 80 metres wide, 15 metres high, and 250 metres long, paved with limestone blocks.
The entrance to the 70 m long tunnel running under the Yerkapi Rampart. It connected the city to the land outside.
The entrance to the 70 m long tunnel running under the Yerkapi Rampart. It connected the city to the land outside.
Inside the 70 m long tunnel running under the Yerkapi Rampar.
Inside the 70 m long tunnel running under the Yerkapi Rampart.
The Sphinx Gate standing above the Yerkapi Rampart. Unlike the Lion Gate, the Sphinx Gate was not flanked by towers but led through a tower. All four door jambs bore representations of Sphinxes. Only one original Sphinx is still in place while two others are kept in the local museum.
The Sphinx Gate standing above the Yerkapi Rampart. Unlike the Lion Gate, the Sphinx Gate was not flanked by towers but led through a tower. All four door jambs bore representations of Sphinxes. Only one original sphinx remains in place, while two others are kept in the local museum.
The Sphinx Gate
The Sphinx Gate showing the only original sphinx remaining in position. The Hittites must have adopted the sphinx from Egypt, where the sphinx represented the King.
The Temple District in the Upper City, 24 different sacred building have been identified, they vary greatly in dimensions.
The Temple District in the Upper City. 24 different sacred buildings have been identified, varying greatly in dimensions.
The ruins of one of the biggest temples of the Temple District.
The ruins of one of the biggest temples of the Temple District.
The King's Gate situated at the southeast of the city fortifications with a sculpture of a warrior in high relief measuring 2.25m in height.
The King’s Gate is situated southeast of the city fortifications with a sculpture of the God of War in high relief measuring 2.25m. The original relief can be seen today in the Museum of Ancient Civilizations in Ankara.
The exterior of the King's Gate.
The exterior of the King’s Gate.
The Hieroglyph Chamber perhaps representing a symbolic entrance to the Underworld. The chamber was adorned with reliefs depicting the Sun God and of Shupiluliuma II, the last of the famous Great Kings of Hattusa.
The Hieroglyph Chamber, perhaps representing a symbolic entrance to the Underworld. The chamber was adorned with reliefs depicting the Sun God and Suppiluliuma II, the last of the famous Great Kings of Hattusa.
Luwian hieroglyphs inscription commissioned by the Great King Suppiluliuma II on the right-hand wall of the chamber.
The six-line Luwian hieroglyph inscription was commissioned by the Great King Suppiluliuma II on the right-hand wall of the chamber. The text describes the invasions and successes of King Suppiluliuma II, noting that, with the help of the gods, he invaded several lands, including that of Tarhuntassa.
The 8.5m long nscription in Luwian hieroglyphs on the side of the cliff, it has become badly weathered and the content of the text has only been partly deciphered.
The 8.5m long inscription in Luwian hieroglyphs on the side of the cliff has become badly weathered, and the content of the text has only been partly deciphered.
The ruins of the Royal Castle, the residence of the Kings built during the 13th century BC, it forms the highest point of the old city of Hattusa with splendid views over the city and the valley to the north.
The ruins of the Royal Castle, the residence of the Kings.
Reconstruction of the palace complex.
Reconstruction of the palace complex.
The ruins of the Royal Castle.
The ruins of the Royal Castle.
The gate in the Postern Wall at the southwest of the the Royal Castle.
The gate in the Postern Wall at the southwest of the Royal Castle.

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