Located in West Attica, approximately 17 kilometres from Athens, ancient Eleusis overlooks the bay of Elefsina and the island of Salamis. It was the location of a very important religious centre where the Eleusinian Mysteries took place every year in honour of the goddess Demeter.
The settlement of Eleusis was founded in the Middle Helladic period (ca. 1900 BC) on the slopes of a hill. Successive settlements were established from the 16th century BC onwards on the summit of the hill where the first temple of Demeter was built in the 15th century BC. The cult of Demeter was introduced during the reign of the legendary King Celeus, according to the Homeric Hymn to Demeter.
According to Greek mythology, the goddess Demeter (in the guise of an old woman) received a hospitable welcome from King Celeus at Eleusis while searching for her daughter Kore (Persephone), who had been abducted by Hades. In return, Demeter taught the Eleusinians her secret mysteries. After Kore was returned from the underworld, Demeter made the land fertile again and taught Triptolemos, the son of King Celeus, how to cultivate the earth. He then spread the knowledge throughout Greece.
The great Eleusinian relief. On the left, Demeter offers ears of wheat to Triptolemos, son of Eleusinian king Keleos, to bestow on mankind. On the right, Persephone blesses Triptolemos with her right hand.
The cult of Demeter originally started as a local cult but acquired a panhellenic character in the 7th century BC when the Eleusinian Mysteries were established as one of the most important Athenian festivals. The ceremonies were held twice a year. There were two major stages to the rituals known as the “Lesser Mysteries”, held each spring, and the “Great Mysteries”, held during September and October. The continuity of Demeter’s cult is attested until Roman times by the erection of successive temples on the east side of the hill. Hadrian, himself an initiate, began a major building programme with the creation of the Panhellenion.
What the visitor sees today is the sanctuary in its final stages in the 2nd and 3rd centuries AD. The finds from the site are housed in the Eleusis Museum as well as in the National Archaeological Museum of Athens.
Model of the Sanctuary of Eleusis.
PORTFOLIO
The entrance square to the sanctuary dates to the Roman period and is paved with large rectangular marble slabs. The steps lead up to the Greater Propylaia.The court was flanked by stoas and a fountain, a harmonious marble building 11 metres in length with six columns on the facade. It was probably built during the reign of Hadrian. Behind the fountain stand the remains of the Eastern Triumphal Arch.The Eastern Triumphal Arch was built in Pentelic marble by Antoninus Pius or Marcus Aurelius. It was modelled on the Arch of Hadrian in Athens, like its twin at the west end of the Sanctuary.Partial reconstruction of the Eastern Triumphal Arch. Inscriptions revealed that the arches were dedicated to the two Goddesses (Demeter and Persephone) and the emperor Hadrian.The foundations of the Western Triumphal Arch mark the end of the road from Megara. It was a single wide arch with a second storey of columns and an entablature above it.The remains of the Temple of Artemis Propylaia and Poseidon Pater standing on the paved court on a high podium. Built of Pentelic marble during the reign of Marcus Aurelius, it had a front and rear portico with Doric columns.The Greater Propylaea, a monumental gate probably built by Marcus Aurelius on the same site as an earlier gate from the time of Kimon. It formed the main entrance to the sanctuary.The Greater Propylaea was a close copy of the Propylaea of the Acropolis in Athens, consisting of two porches, each with a facade of six Doric columns.The architectural elements (triglyphs and metopes) formed the Greater Propylaea, a monumental gate probably built by Marcus Aurelius.This cuirassed bust of an emperor was installed at the centre of the pediment of the Greater Propylaea. Although the face is badly damaged, it is considered a portrait of the emperor Marcus Aurelius who built the Greater Propylaea.The Lesser Propylaea is a small gateway to the Sanctuary built by Appius Claudius Pulcher in 54 BC.The entablature of the Lesser Propylaea had an Ionic architrave on which was cut the Latin dedicatory inscription and a frieze of triglyphs and metopes embellished with wheat sheaves, bucrania, and stylized double poppies.The upper part of one of the caryatids flanked the Lesser Propylaea. On its head, it carries the kiste, the sacred chest decorated in relief with the symbols of the Eleusinian cult: ears of wheat, poppies, and rosettes (Eleusis Museum).The Sanctuary of Pluto (Hades), god of the Underworld, who abducted Persephone. The cavern recalls the entrance to the underworld. It is situated to the west of the Lesser Propylaea.The Temple of Pluto is Archaic in date but was remodelled on many occasions from the 4th century BC down to Roman times. It was a small temple with cella and pronaos opening east and a peribolos wall.Flight of steps cut into the east side of the rock along the Processional Way.Overall view of the Telesterion, the “place for initiation”. It was the central building of the sanctuary where pilgrims were initiated into the Eleusinian Mysteries.Serving as the initiation Hall and Temple for the Eleusinian Mysteries, the Telesterion was a large hypostyle hall with seats on all four sides where the faithful sat and watched the rituals.The earliest building traces on the site of the Telesterion are of a Mycenaean megaron opening east. By Solon’s time (ca. 600 BC), a rectangular hall, probably columned, running southwest-northeast, had been built to accommodate a larger number of participants. This was replaced by a Geometric building.The Stoa of Philo was built by the Eleusinian architect Philo in the mid-4th century BC in the Doric order to extend the Telesterion by adding a semi-open space.The fortification wall and circular corner tower date to the 4th century BC.Kallichoron Well, according to the myth, it was here that Demeter rested as she searched for her daughter Kore. Here dances to Demeter and Kore were once performed, hence the name meaning Well of the Fair Dances.Eleusis MuseumThe statue of Antinous, represented as Asklepios, was found in the outer court of the sanctuary, which it apparently adorned. Antinous accompanied Hadrian during his attendance at the annual Eleusinian Mysteries. (Archaeological Museum of Eleusis).
following hadrian photography 
Once again thank you Carole for stunning pictures of this truly amazing archaeological site.
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Extremely useful and consice. Thank you!
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Wonderful!
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Thanks for this-a fascinating place. Any thoughts on Hadrian’s involvement with the site? Thanks again.
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