Nea Pafos

Paphos is one of Cyprus‘s most mesmerising archaeological sites and the most accessible to visitors. Located in the resort of Paphos on the island’s southwest coast, Nea Pafos -as it was called in antiquity- is home to a treasure trove of some of the most lavish ancient mosaics in the world.

Coordinates: 34° 45′ 26.85″ N 32° 24′ 33.85″ E

Paphos

Founded in the late 4th century BC, Pafos became the island’s capital, replacing Salamis during the Hellenistic and Roman eras. Now a UNESCO World Heritage Site, the site is a vast archaeological area with remains of four Roman villas, an odeon, an agora, an Asclepeion (a healing temple sacred to the god Asclepius, the god of medicine) and royal tombs.

Like Salamis, Nea Pafos was severely damaged by earthquakes on several occasions and went into decline following the devastating earthquake of the 4th century AD. The city originally occupied an area of about 950,000 square metres and reached its zenith during the Antonine and Severan periods (second half of the 2nd / early 3rd century AD). This is reflected by the number of public and private opulent buildings that survived this period. A chance discovery made in 1962 by a farmer ploughing his field has brought exquisite light mosaics that decorated the floors of wealthy residences of the Roman period.

One of the most exquisite and best-preserved mosaics unearthed at the site is the round mosaic of Theseus and the Minotaur in the Villa of Theseus, named after the representation of the Athenian hero fighting the Cretan monster in the Labyrinth. The most spectacular group of mosaics comes from the House of Dionysus. The building occupies an area of about 2000 square metres, of which 556 are covered with mosaic floors. A short walk away lies the Agora (forum), the Asclepeion and the Odeon, where musical performances were held. These buildings constituted the heart of the ancient city.

PORTFOLIO

The House of Theseus, Paphos Archaeological Park
The House of Theseus. With more than 100 rooms, this house is the largest residential structure on the island and one of the largest in the Mediterranean. It was the residence of the governor of Cyprus (proconsul).
Mosaic floor depicting the mythical duel between Theseus and the Minotaur in the Labyrinth of Crete, House of Theseus, 3rd-4th century AD.
Mosaic floor in the House of Theseus depicting the mythical duel between Theseus and the Minotaur in the Labyrinth of Crete, 3rd-4th century AD.
The House of Theseus, The first bath of Achilles mosaic, 5th century AD, South Wing.
The first bath of Achilles mosaic in one of the rooms of the House of Theseus, 5th century AD. The hero lies in the arms of his mother, Thetis, who is shown lying on a bed in the centre. This part of the scene has been significantly damaged. Achilles is also shown sitting on the knees of his nurse, who is preparing to dip the infant in a basin.
The House of Theseus.
The House of Theseus.
The House of Theseus.
The House of Theseus.
The House of Theseus, mosaic with geometric pattern, mosaic with the Three Horae (Dike, Eunomia and Eirene), and mosaic with Aphrodite.
The House of Theseus has three mosaic pavements.
The House of Dionysus.
The House of Dionysus. The name is derived from the central mosaic featuring Dionysus, the god of wine. The building occupies an area of about 2000 square metres, of which 556 are covered with mosaic floors.
The Triumph of Dionysus in the House of Dionysus, late 2nd / early 3rd century AD, Dionysus sits on a two-wheeled chariot.
The Triumph of Dionysus mosaic in the House of Dionysus, dating from the late 2nd / early 3rd century AD. Dionysus sits on a two-wheeled chariot.
Mosaic of Narcissus in the House of Dionysus, late 2nd/early 3rd century AD.
Mosaic of Narcissus in the House of Dionysus, late 2nd / early 3rd century AD.
The Rape of Ganymede mosaic in the House of Dionysus, the god Zeus having transformed into an eagle carries Ganymede away, late 2nd / early 3rd century AD.
The Rape of Ganymede mosaic in the House of Dionysus. The god Zeus, having transformed into an eagle, carries Ganymede away. Dating from the late 2nd / early 3rd century AD.
Phaedra and Hippolytus in the House of Dionysus, late 2nd / early 3rd century AD.
Phaedra and Hippolytus in the House of Dionysus, late 2nd / early 3rd century AD.
The Odeon located in the northeastern part of the ancient city, it was built in the 2nd century AD and could held approximately 1,200 spectators, Paphos.
The Odeon was located in the northeastern part of the ancient city. It was built in the 2nd century AD and could hold approximately 1,200 spectators.
The Odeon located in the northeastern part of the ancient city.
The Odeon.
In the foreground the Agora, the central square court of the city surrounded by colonnaded porticoes and dating from the middle of the 2nd century AD, in the background on the left is the Asclepeion, on the right the Odeon.
In the foreground is the Agora, the city’s central square court surrounded by colonnaded porticoes dating from the middle of the 2nd century AD; in the background on the left is the Asclepeion, and on the right is the Odeon.

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Louvre-Lens (France)

The Louvre-Lens is an art museum located in Lens at the heart of a coal mining area, approximately 200 kilometres north of Paris. It displays objects borrowed from the collections of the Musée du Louvre on a medium or long-term basis.

Its collections are displayed in a contemporary building designed by the Japanese architects Kazuyo Sejima and Ryue Nishizawa of SANAA, a multiple award-winning architectural firm based in Tokyo. Officially opened on the 4th December 2012, the museum now enjoys international acclaim as a unique must-see attraction.

The Galerie du Temps (Gallery of Time), the main exhibition space and the heart of the Louvre-Lens, houses a selection of masterpieces arranged chronologically, starting with the birth of writing in 3500 BC and finishing with the year 1850. Each year, some art pieces return to the Louvre in Paris and are replaced by others.

The 200 works originate from the Middle East, Egypt, Greece, Rome, the Islamic world and Europe. The Galerie du Temps is a wide open hall (125m long and 25m wide) where the objects are placed in the centre of the room in order to create a full 360° dialogue between them.

 

HIGHLIGHTS FROM THE ANTIQUE COLLECTION

Pre-cuneiform writing tablet noting food ratios, Archives from the Temple of the Sky God, from Uruk (Irak), Late Uruk Period, around 3300 BC, Louvre Lens
Pre-cuneiform writing tablet noting food ratios. Archives from the Temple of the Sky God
From Uruk (Irak)
Late Uruk Period, around 3300 BC.
The first documents written on clay tablets appeared in Uruk IV, around 3300 BC.
Gold amulet pendant, possibly depicting Teshub, the Hittite Storm God, around 1400-1200 BC, from Central Anatolia.
Gold amulet pendant, possibly depicting Teshub, the Hittite Storm God
From Yozgat, Central Anatolia (Turkey)
Around 1400-1200 BC.
Fragment of a painted limestone statue of a deceased couple, from Egypt, around 1391-1353 BC (reign of Amenophis III).
Fragment of a painted limestone statue of a deceased couple
Around 1391-1353 BC (reign of Amenophis III)
From Egypt.
Fragments of decoration from the Temple of Inshushinak, tutelary god of Susa, depicting a bull man and palm tree, from Suse (Iran), around 1150 BC.
Fragments of decoration from the Temple of Inshushinak, tutelary god of Susa, depicting a bull man and palm tree
Around 1150 BC
From Suse (Iran).
Relief depicting a hunting scene in a chariot which decorated a wall in the palace of Maradesh, king of Melid, Neo-Hittite period, 9th century BC, from Malatya (Turkey).
Relief depicting a hunting scene in a chariot which decorated a wall in the palace of Maradesh, king of Melid
Neo-Hittite period, 9th century BC
From Malatya (Turkey).
Engraved cippus surmonted by a head representing the Egyptian deity Bes, protector of households, around 750-600 BC, from Larnaca (Cyprus).
Engraved cippus surmonted by a head representing the Egyptian deity Bes, protector of households
Around 750-600 BC
From Larnaca (Cyprus).
Etruscan cinerary urn with a female head and articulated arms, from Chiusi (Italy), around 550-500 BC.
Etruscan cinerary urn with a female head and articulated arms
From Chiusi (Italy)
Around 550-500 BC.
Troop of funerary servant figures (shabtis) in the name of Neferibreheb, around 500 BC, from Memphis (Egypt).
Troop of funerary servant figures (shabtis) in the name of Neferibreheb
Around 500 BC
From Memphis (Egypt).
Terracotta statuette of Nike, the personification of victory, from Myrina (Turkey), around 190 BC.
Terracotta statuette of Nike, the personification of victory
Around 190 BC
From Myrina (Turkey).
Fragment of a fresco depicting a woman beside a fawn (Bacchic cult scene?), from Pompeii, around 30-50 AD, Louvre Lens
Fragment of a fresco depicting a woman beside a fawn (Bacchic cult scene?)
From Pompeii
Around 30-50 AD.
The Praetorians Relief from the Arch of Claudius, once part of the Arch of Claudius erected in 51 AD to commemorate the conquest of Britain.
The Praetorians Relief from the Arch of Claudius, once part of the Arch of Claudius erected in 51 AD to commemorate the conquest of Britain
From Rome (Italy).
Statue of Hermaphroditus, Louvre Lens, son of Hermes and Aphrodite, around 130-150 AD, from Egypt, France
Statue of Hermaphroditus, Louvre Lens, son of Hermes and Aphrodite
Around 130-150 AD
From Egypt.
Tauroctony relief representing Mithras sacrificing the bull (CIMRM 415-416), around 100-200 AD, from the Capitoline Hill in Rome (Italy).
Tauroctony relief representing Mithras sacrificing the bull
Around 100-200 AD
From the Capitoline Hill in Rome (Italy).
Cuirassed statue of Marcus Aurelius, from Gabies (?), end of the 2nd century AD.
Cuirassed statue of Marcus Aurelius
From Gabies? (Italy)
End of the 2nd century AD.
Fragment of a mosaic floor depicting a preparation of a banquet, found in Carthage, around 180-190 AD, Louvre Lens
Fragment of a mosaic floor depicting a preparation of a banquet
Found in Carthage
Around 180-190 AD.
Sarcophagus depicting a musical context between the god Apollo and the satyr Marsyas, around 290-300 AD, from Cosa (Italy).
Sarcophagus depicting a musical context between the god Apollo and the satyr Marsyas
Around 290-300 AD
From Cosa (Italy).

See more images from the Louvre-Lens antique collections on Flickr

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